Wednesday, July 19, 2017
The not best parts, you hear me complain about a lot. The querying and glacial pace of publishing are terrible but that just begins the slog of marketing. This is what most new writers don’t understand and few are good at; the marketing of the book. A book, no matter how good or bad, is a product and must be sold. I’ve said many times that right now it’s never been easier to be published, but it’s never been harder to be read. That’s where marketing matters. And it matters a lot.
Writers are not by in large marketers—salesmen. Ir we were, we’d probably be selling cars or condos or bridges or something and getting rich instead of brooding with plots and character arcs, themes and twists that paint imaginary pictures into the aether of art. We tend to be introverted. Even me. Yeah, I know, me? Really. There are several Johnnys; one is a writer; the other a marketer who just happens to adore his product.
This is why the League or Utah Writers has put together a Summer Conference prequel class on marketing. A common topic in all modern writing conferences, the League thought to have a special dedicated half day seminar about the subject with professionals and amateurs who’ve waded into the ocean of sales and come out alive.
The seminar is Saturday July 29th at the Viridian Event Center, 8030 S 1825 W, West Jordan, UT 84088, Here’s a link to sign up and all he other info (just click on the graphic). If you do go you get a discount for the LUW Fall Conference in October. All good. There’s even going to be snacks.
I’ll be there to hear some great ideas and find reinforcement for some things I know. I invite all authors seeking to finds sales to come join us. It’s a cheap date and the information you glean might make the difference in a career.
Thursday, July 6, 2017
CREATIVE WRITING BOOTCAMP for the University of Utah Lifelong Learning Center. It’s a class that’s being taught by several instructors and is very popular. In planning my lessons I landed upon a fundamental philosophical problem in creative writing and thought to exploit it.
The world of writing is separated into two camps: Pantsters and Plotters. It's a reference to how an author approaches their writing. Plotters tend to outline their work first, have the ending in mind, organize. Pantsers “fly by the seat of their pants” and go where the muse leads them. There’s a long-standing feud between the two camps and it often gets bloody (see the famous Merriman City Authors massacre 1977).
I still plot for the most part, but lately it’s been a really loose plot. I call it "waypoint writing." I have a list of things I want to accomplish in each book, each chapter and scene, and write to that. It’s a moving target. Sometimes I can’t get what I want to say into a chapter so I have to write another. Sometimes something new and amazing happens and I have to rework later scenes to accommodate. It’s a pantser inside the plot. I always have goals, themes and ideas in lists and maps, and I navigate the ocean between my points by these stars. It works for me.
Write as Fast as You Can). In truth. My most creative moments come from deep pantsting, I won’t lie. When I’m off the grid and letting the muse take over, some absolutely wonderful things happen. However I can’t count on her coming to each session. She seems to have other interests, music probably, so I’m often left to my own devices. That’s why I plot as I do.
I think a lot about these two approaches and notice myself switching sides here and there, leaning more this way or that. I teach plotting mostly, because it can be taught, but I am well aware that art comes from flying and not running on tracks. I struggle with it myself and have learned the hard way never to over-plot.