Wednesday, August 31, 2016

DAVID's launch

Last Saturday I launched DAVID, The Unseen Book 3 at King's English Bookstore. I was surrounded by fans, friends, and family, which are all the same thing. I sold out of books, which was cool. It was a wonderful afternoon. My eternal thanks to all who came.

Here's the speech I gave for the occasion, commemorated at The Blog Mansion for all internet access.

DAVID Launch Event Speech 
August 27th 2016 (3:00-5:30 p.m.)

(Reading: First 2 pages of DAVID.)

The relationship between an author and his characters is a strange metaphysical one. The lives I explore in my books have a certain factualness about them that rivals my real experiences. 

The characters feel real to me, feel realer in fact than the people I think I know outside of the pages. Certainly my ability to enter their minds has bred an intimacy that I don’t share with other people, but still, they are fictional character, literary devices, symbolic constructs. I have a wife (who isn’t here) children who are, and friend, fans, real people. My agent is here. 

Yet here we have a girl, Eleanor by name, not a living person but realer to me than most of you.

Though my mind knows that my little girl from Wyoming is a fiction, my heart and my memories argue otherwise.

When I do not see you, my friends, right in front of me, in the now, talking and laughing with me, you are but a fond memory, a cherished experience. At those times when we are apart, you are not so different than Eleanor and David. 

And the places the same— Eugene Oregon, Jamesford Wyoming - I see them both, I’ve experienced them both. Good and bad, wet and dry. I’ve lived them both.

This is the magic of reading. It is immersive hallucination that rivals and exceeds actual experience. The power of imagination, the strength of story telling, the alchemy of the symbols creates new realities. It’s undeniable.

In my heart, the differences between reality and fiction is not important. Source is irrelevant, only the substance matters. There is only experience and love.

I love ELEANOR. She is a part of me. I made her. She has surprised me, angered me, made me proud, and made me cry. 

I’ve likened her to my kids and will again. I do now.

Since ELEANOR was conceived, I have seen both my sons graduate. It is a bitter sweet thing to watch them go out in the world. But that is the way of things. So now Eleanor too, is off into the world.

Eleanor’s story “wraps up” in DAVID. I won’t give any spoilers, but I will say that it is a fitting conclusion. I reached the end of the thematic arc I started back in the first chapter— in the first sentence of BOOK ONE. And it is pleasing to me to have it so. 

Fiction gives me the power to put pattern, meaning and theme into my characters lives; things I that I have sought, but not always found in my own. These are luxuries to be sure.

This book is dedicated to my friends who have helped me so much and been there for me and suffered and rejoiced and understood as this thing happened.

Thank you. I could not have done it without you.

Thursday, August 18, 2016

Letting go of DAVID

It’s a milestone, not an end. With the release of DAVID, the third and final book of the Unseen Trilogy, Eleanor’s story is… wrapping up.

A moment comes, happens and then passes. Life goes on. The significance of the moment a resonating echo that will reverberate over the rest of our lives, a ripple in still water that propels outward in ever diminishing strengths, but never null.

This is DAVID, for Eleanor and for me.

The Unseen trilogy is to me now, an old series. I wrote it so long ago—book three was done and to the publisher before book one was released. I’ve written many books since then that it is difficult for me now to even remember how I wrote it and who I was when I did. They are an echo in my creative life, a loud one, still bouncing off the walls of my work. A good one; a trumpet and a cry, and now with DAVID, a howl.

There’s no doubt that my career as an author has so far been defined and will be defined by my scared little girl from Wyoming. I have learned so much about myself, about life and about the publishing world since the start of this Unseen adventure. I can’t but notice the parallel between that and Eleanor’s own development.

The Unseen is a trilogy, not a series. Eleanor’s character arc defined the structure before the first word hit the keyboard. I knew when I started book one where book three would end up, emotionally at any rate. The details of the climax and events steered themselves a bit, Eleanor’s own growth before my eyes on the very pages she inhabited surprised and delighted me and directed me to new friends and changing enemies. Trust, redemption and always change were constantly at the center of my thinking. Eleanor would change (forgive the obvious pun), but so too would the rest of the cast. Friends become foes, and vice versa. The setting too would undergo alteration and new life. For better or worse, it would happen and survival meant adapting to it all.

The serenity prayer is a good lens to see Eleanor with: “God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to know the difference.” Eleanor is uniquely positioned to change the things she cannot accept but then has to accept the changes that are she.

Should I only be so strong.

With DAVID’s release I am acutely aware that my signature series (so far) has concluded. It scares me. The ripples and echoes from it will doubtlessly send me along for some time, but the future is spooky without Eleanor. It keeps me up at night.

I have other books coming, six right now actually, including two excellent young adult titles I consider spiritual successors to Eleanor, but obviously they're not the same. And as of now, they’ve yet to find the right publishers.

I am now five years into my ten year plan to be an overnight success. Even with a decent pedigree of successful titles, I still struggle. The realities of the publishing world are the challenges that I, as a writer, must adapt to or work to change. I’m working and adapting as fast as these old cells and bones can, but still the pain drives me nuts. There’s even some issue with the printing of DAVID in time for my launch party on Saturday August 27th at King’s English Bookstore. (see what I did there?)

I’m told it’ll all be fine, contingencies are set up, but it’s still nerve wracking. It goes far to reinforce the truth that every writer must face: the only control you have in this business is in the writing of the book. Once it’s out to edit, move aside. Once it’s at the publisher’s, have a seat and wait. Letting go is part of the game.

Visiting Hemingway's Grave
It’s another facet of a strange moment of my life. A lot has happened recently, events big and small, subtle and deep. I suppose every milestone, when recognized as such, draws the thinking mind to self reflection. It’s like a graduation, a wedding. A little like a death. A moment to consider. Take stock. Mourn because it’s over while trying to celebrate that it happened. It’s a passing. A wrapping up, but not an end. There are no endings. Art is never finished, only abandoned, and Eleanor’s story must be abandoned. I said all I wanted to say, went all the places I needed to. Maybe one day there’ll be a continuation, but I am content with the series now. Happy with it really. Proud of it out of my skull, to be honest, but still, it is over. Wrapped up and offered up to the world on its own terms. I let go.

DAVID is dedicated to my friends who have helped me so much in my journey here. The kind words, encouragement, shared struggles, and excitement. The fan mail. Writing is a lonely business. It’s easy to get lost in your own head—required really. It’s beyond joyous to have people outside ready to support me. Fans waiting to read. People who love my Eleanor as much as I do.

I will miss my little girl because she has grown up. I can no longer directly effect her shape or direction. It's been this way for a while, but with DAVID, she's set and on her way. Out of the house, so to speak. I will miss her, like my own daughter, like my own kids growing up—triumphant and strong, but still moving on.

But this is the way of things. Change, trust, redemption. Support from friends and loved ones.

Carry on.

It is a good thing.

If you can reach it, come to KING’S ENGLISH BOOKSTORE on Saturday August 27th 3:00-5:30 p.m. for the official launch party for DAVID

Hope to see you there.

Thursday, August 11, 2016

Advice for Writers

Advice for writers: Quit.

Do that. Quit. Stop doing this. Do something else. Anything else. Stop this thing. Take another path. Don’t try to be an author. Give it up. Really. 


I’m serious.

Put down the pen, turn off the word processor. Plant a tree, save a cat from a shelter, take up music. Reject rejection, embrace reason. Understand the odds. Denounce self-torture, bleed from the knees instead of the heart. Relax. Enjoy your life.

Quit writing. 

Try. Try hard.

If you can—success! You’re off to the races. Your misery quotient will be a fraction of what you were heading for. Your life will be simpler, safer, stabler. 

If you can’t quit writing… if you can't… well, if you can’t, I guess you’re a writer.

Wednesday, August 3, 2016

MUTI NATION with Monique Snyman

Today at the Blog Mansion I have South African author, Monique Snyman, who just released her first horror novel, MUTI NATION, from Omnium Gatherum. In the spirit of transparency and disclosure it should be noted that I helped acquire, and edited this novel for Omnium Gatherum. I really dig it and its author.

Johnny: American readers will be shocked to learn that Muti is a real thing in Africa, a real problem. Tell us about it.

Monique: Oh, Johnny. Ritual murders are a problem around the world, not just in Africa. I think the only reason MUTI NATION is considered so foreign and scary is because our ritual murders—a.k.a muti-murders—are a bit more savage in nature. Don’t get me wrong, ritual murders in general are savage, but few countries can claim their victims are hacked up for medicine, which is then induced by other people at some point to (supposedly) better their own lives. I think it’s the cannibalistic element that truly scares folks, because that’s a worldwide taboo. And the fact that it still happens in a modern world is even scarier. Yes, muti-murders are a real thing and it is a problem, but ritual murders are a problem across the world.

J: Was there anything particular about Muti that gave you the idea for your book? A specific incident?

M: Not necessarily. What inspired this book was speaking to Sakina Murdock about how much South Africa differs from other countries, and somehow we got onto the subject of the paranormal. She didn’t know anything about muti or tokoloshes or how truly strange this continent can be, and said I should write a book about it. I did, and voila. My country is so weird sometimes [laughs]. I mean, where else in the world will you get a specific law prohibiting witches to fly their broomsticks higher than 150 meters? Only in South Africa—well, specifically Swaziland, but that’s a mini country within our borders. And I’m not even kidding! Here you go if you don’t believe me: 

J: Esmé is a dynamic character. From our limited long distance connections I can’t help but sense some of you in the character. How much of her is you?

M: [laughs] Esmé and I have a lot in common. The roads she takes are the roads I’ve taken. A lot of her experiences are experiences of my own. One instance where I really dug deep into myself to give the book more personality is where Esmé recalls a particular memory—while she and Detective Mosepi are at Schubart Park—and she talks about the kids who were so cold during winter. How they came to school barefoot and without wearing a jersey.

Now, that part is real, that’s me. I went to that primary school for four years, Johnny. Eendracht Primary, located just around the corner from Schubart Park and Kruger Park. I gave away my shoes or jersey to less-fortunate kids, even though I knew we weren’t that fortunate either. I couldn’t take seeing them so cold. Sometimes, all I got on my sandwiches were butter, but I would hand my lunch out to the others, because they just looked so much hungrier. When my mother finally figured out something was wrong, she confronted me and I told her how bad those kids had it … So, my mom and her friends at work (they were typists for the Department of Education) organised a charity drive to our school, handing out clothes and food to those less fortunate than us. My sister and I both received trophies from the principle for our humility and goodwill. But the best prize was seeing how happy those kids were when they had something warm to wear and a full belly.

Those tales Esmé tell are real, but unlike her, I don’t come from a rich family. Also, I didn’t have an eccentric grandfather. My grandmother, on the other hand, was a memorable character, but Christiaan Snyders isn’t based on her.

J: Wait, hold on. We haven’t talked about the book yet. Tell the readers about MUTI NATION.

M: MUTI NATION is a book that revolves around a young occult-crime expert, named Esmé Snyders, who’s actually more an academic than a detective. But in order to keep the agency afloat, she takes to helping out the police with their ritual murder cases, and sometimes she’ll also assist the Catholic Church if they don’t have someone on hand. She is not a paranormal investigator or a ghost hunter. And she is not a detective. The story is set in Pretoria, South Africa, where a muti-murder is committed by a serial killer, known only as Him for the majority of the story. It’s a real cat-and-mouse game, though, because as she’s hunting down the killer, he’s tormenting her on a paranormal level. Meanwhile, she has some personal conflicts to deal with, and other cases on her plate. It’s quite an exciting book, if I do say so myself.

J: Whew, glad we got that done. I get to keep my job at Omnium Gatherum. How were we to work with by the way? Remember I’m editing this.

M: You guys were a joy to work with, especially seeing as I could play teacher in regards to some of the proudly South African terminology I used. [giggles] Robots and bakkies and spruite, oh my!

J: That was a trip. Two cultures separated by a common language.

You conceive of a supernatural investigator, an entire agency in fact. You portray it so reasonably, so intricately that I have to ask Is this wholly fiction or do know of such things?

M: Are there real private agencies in South Africa dedicated to studying fringe sciences? I honestly don’t know. What I do know is that there was (and probably still is) an Anti-Occult Crime Unit in our police department. They really did use propaganda to scare people back to God.

What I personally know about the occult and religion, however, is that I minored in religious studies at university—first Christian Theology and later Islam—and I’ve always enjoyed studying the occult. It’s fascinating.

Fringe sciences have always interested me, too, and I devour anything that revolves around it.
So, although I won’t call myself an expert on the matter, I do know enough to sound intelligent. [giggles]

J: Although you fill a book with creepy supernatural horror and paranormal elements, chases and intrigue, you also successfully incorporate sex into the book. Readers will be excited (pun intended) to read your more intimate scenes. Sex sells and you do it well. Tell us about it.

M: I don’t understand it! [laughs nervously] Everyone’s been complimenting me on the naughty bits in the book, which isn’t really that naughty for me… I mean, I know I won’t ever be eligible for a Bad Sex Award, because I actually get some bow-chicka-bow-wow at home. I just didn’t intend it to be so sexy. My friends keep telling me to get into romance writing, and maybe one day I will, but for now I’m perfectly happy writing horror. Besides, what rule says horror can’t have some raunchy romance scenes that don’t include vampires or werewolves or zombies?

J: Talk to me about Pretoria. It’s the background of the book, but also a central character in its reflections and setting. Readers of MUTI NATION will come away with a sense of the place, it’s climate and design, politics and impressions. There’s a travel log among the pages of thrills in your book. You seem to have a love/hate relationship with the place.

M: [sighs] I certainly harbour some love/hate tendencies toward my country, I know, but I’m not the only one.

You have to understand, though, South Africa is utterly beautiful. The people are wonderful, the culture is rich, and the scenery is just gorgeous. We have deserts and forests and marshes, all breath-taking in their own way. There is wildlife and there are cities. It’s a mix-match of everything good. But along with the good comes the bad … Violent crimes are a pandemic, instigated by political leaders for the sake of getting ahead in the voting polls. Corruption is so bad, our president is being sued for stealing money to build his mansion, but he’s not the only one doing the stealing. There are still racial issues we have to deal with. There are so few opportunities to make a living for yourself, let alone better your circumstances … So yes, I definitely have a love/hate relationship toward my country, but it’s solely because I believe in Nelson Mandela’s vision for South Africa. I believe we can be better, that we can work together and live in harmony, and I believe his spirit lives on within us all.

J: What’s your writing background? Where’d you learn your craft?

M: English is actually my second language, so it’s been a battle to get to the place where I am now. I pretty much had to teach myself the art of writing for an English market, had to create new pathways in my brain in order to translate my Afrikaans thoughts into English words, and I had to learn the industry through making a LOT of mistakes.

When I was nineteen, I dropped out of university to pursue a writing career, because at least I found that challenging. You see, if I’m not challenged, I get bored, and when I get bored there’s Hell on Earth. Needless to say, the university and I did not part on good terms. I learned nothing new there. Even in high school, I got so bloody bored because I wasn’t being challenged (evidence of this includes being absent from school for 58 days—not including downtime during exams—and still being allowed entrance to the University of Pretoria to study a degree that falls under the Engineering and IT Department).

How did I learn this craft? Well, I read a lot (100 books a year), so that counts as studying my craft. I also practice writing often. But most importantly, I learn from my mistakes. A lot of other authors get super annoyed when they receive a bad review, whereas I tend to use those to harness my writing skills. I’m also fortunate to have great editor friends who are quick to tell me: “NO! DO NOT DO THAT!” So that helps significantly.

J: You’ve published a lot of short stories. Mostly in horror. Is that your favorite genre?

M: Yes, I’ve had quite a few horror shorts published in the past. I grew up with horror movies, so yeah I do love the genre with my whole heart, but I don’t like to be pigeonholed. As I said before, I like a challenge. I read a wide variety of books that aren’t classified as horror whatsoever. I enjoy sci-fi and fantasy films and books. Historical fiction is FUN! Comedy is perfect for when I’m feeling a little underappreciated as an author. So, I don’t think I have a favourite genre, I just feel I haven’t had the opportunity to really explore my writing in another genre.

J: What is your process for writing a novel like MUTI NATION? Do you outline? Is the process different from your short fiction?

M: I’ve tried numerous techniques in the past when it comes to writing novels, but what I’ve felt work best for me is to write the synopsis first and then a 2-page summary of what I want to happen. That keeps me on track, whilst throwing some surprises in my way. If I plot more than this, and I get bored, because then I know everything exactly as it’s going to happen and my brain tells me: “Dude, you’ve seen this movie … in your head.”

When it comes to short stories, I just write. No planning. Planning comes when I’m done and I start to edit the story.

I’m weird, I know.

J: What’s the writing scene like in South Africa?

M: Incestuous and very clique-y. I was bitching about this the other day (in private), actually. In South Africa you have your cliques, like: the literature writers, the post-Apartheid buffs, the YA-Clan, the old guys with more books under their belts than an indie publisher… etcetera, etcetera. The cliques tend not to mingle together (often), unless it’s absolutely necessary. They do not help one another out, unless there’s something in it for them. Review one of their books and dare to give them anything except 5-stars and BAM! They hate you forever and will not review your book in return. Worst of all, there aren’t many horror writers in South Africa, either. I mean, you know all of us in the game. There’s me, Joan de la Haye, Sarah Lotz, Lauren Beukes, S.L. Grey, and there’s Joe Mynhardt. That’s pretty much it (that I personally know of). And the biggest problem of all is that Sarah Lotz and Lauren Beukes are way out of our leagues at present. So, it’s me and Joan and Joe who can talk about writing and help one another out.

Yes, we still get asked to attend certain festivals, speak on panels, and so on, but the opportunities are significantly fewer—especially when you’re an indie author.

Do I mind? Not at all. I like a challenge, after all. [winks]

J: How has the reception been so far for MUTI NATION? Did I hear that certain religious groups have spoke out against it?

M: So far, the response to MUTI NATION has been fantastic! People from across the world find themselves immersed in the experience of a South African crime thriller, enjoying the country without ever setting foot here. And I’ve noticed that my subtle scares have been much more effective than the big, ol’ messy murder scenes. I’m rather chuffed with it all.

Although I’ve heard some … negative comments … about the subject matter, it’s not been that bad. It’s just a few religious extremists who sees the word “witchcraft” and get on their high horse without ever reading the book. I’m annoying enough to convince them into reading the book too, just give me a few months to soften them up with my kindness and smiles.

J: Not to give any spoilers, but MUTI NATION could have sequels. Any in the works?

M: I have plans for a trilogy, yes. So far, I’ve dabbled with the sequel a bit, but I can’t go into too much detail yet. So, you can definitely expect something in the future IF my publisher deems it a possibility.

J: Where on the internets can people find out more about you and your work?


M: This was a straight up interview. No zombies or death, portals into hell around every corner. How’s that? Isn’t this the notorious Blog Mansion.

J: See what happens when I’m so involved in the book and author?

M: It’s like a free ride through a maze of...

J: Not exactly. I’ll be needing your fingers. I making Muti.

M: Damn…. I knew it was too good to be true.